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Alissa’s Medusa, The Witches of Wacken, and Women in the Harvard Metal Study

Alissa’s Medusa, The Witches of Wacken, and Women in the Harvard Metal Study

Alissa White-Gluz had been the singer of Arch Enemy for about six months when a reporter in Phoenix asked her …

“We ❤️ Gatekeeping”: Metal Magic’s Fruitfully Danish Drama

“We ❤️ Gatekeeping”: Metal Magic’s Fruitfully Danish Drama

The banner hanging over the entrance of Metal Magic Festival reads “Proudly Gatekeeping Since 2008.” I walked under it this …

Full Interview: Oliver Berlin of Finsterforst

Full Interview: Oliver Berlin of Finsterforst

Finsterforst call what they play Black Forest Metal. Over two decades and six albums, the band from Freiburg has made …

The Last Coronation: Tony Iommi’s Medal, Rick Beato’s Dead Metal, and Religion With Nothing to Believe

The Last Coronation: Tony Iommi’s Medal, Rick Beato’s Dead Metal, and Religion With Nothing to Believe

Is metal walking dead? This summer I have handed out nearly a thousand questionnaires at eight festivals in six countries, …

Copenhell and Why The Danes Erect A Safe Satan

Copenhell and Why The Danes Erect A Safe Satan

I handed out 154 longform surveys at Copenhell this year and the resulting data shows something remarkable about metal’s obsession …

Honesty in the Mud: Behemoth’s “I, Scvlptor” 

Honesty in the Mud: Behemoth’s “I, Scvlptor” 

Extreme metal has always excelled at the aesthetics of demolition. For decades, the genre has found its visual identity in …

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